![]() ![]() You could adjust the colors if you looked deep enough into the menu system but it wasn’t straightforward. The ability to match film to subject was an essential skill, and many photographers experimented with a variety of film types until they found the ones that suited the way they worked.Įarly digital cameras had primitive color controls and the result was that every photo looked the same. But if you were shooting portraits, the color of Velvia was totally unsuitable, so you would use a slide or color negative film that rendered color more subtly and was designed to make skin look good. Many landscape photographers, for example, used Fuji’s Velvia slide film because of its fine grain, high contrast and saturated colors. ![]() Back then, color treatment was largely determined by the film stock used.
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